September 2018: All the Books I (Re-)Read this Month & Am I Joining BookTube?

The month of Tishri (or, September) was full of Jewish holidays, from Rosh Hashanah and Sukkot to the Fast of Gedaliah and Yom Kippur, granting me all the rest days to just sit down and devour these books in single sittings. Surprisingly enough, I delved mostly into rereads this month, save for three, given that those are all my physical copies of books. In total, I read and reviewed seven books:

Movies that made my month:

This was pretty much the month of being in Jenny Han’s To All the Boys I’ve Loved Before universe. From watching the Netflix film adaption and reviewing it in detail here, to rereading the trilogy after craving more and more of the same cute, contemporary vibe.

My Patreon:

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After much deliberation, and upon watching Ariel Bissett’s vulnerable video on the topic, I decided to create a Patreon with the goal in mind to start creating BookTube videos in the near future. I’ve had the thought circling in my head for the past year, and I’m hyped that the idea is starting to formulate itself into a more concrete shape. I’ve already started noting down any exciting book-related topics to feature that I personally haven’t seen discussed before (aka the Jewish side of BookTube).

Before all that can happen, however, I need help in making this a stable reality. If you would like to participate in this creation, join me on this exciting new road and make a pledge through my Patreon: https://www.patreon.com/bookspoils

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That was my reading wrap-up for September, thank you for reading! Let me know your thoughts down below in the comments. How was your reading month?

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Thirsty Romance Review: The Hating Game by Sally Thorne

“The Hating Game. You versus me. It’s the only way this can possibly end.”

During my recent, habitual task of roaming my local library shelves, I landed eagle-eyed on The Hating Game, which I’ve heard nothing but praise for in the last year. It didn’t need any further coaxing to check it out. And damn, this is one hot summer book; I’m glad I read it at the high-end of the hot season dying down.

I know I’m low-key excited when I read the praise at the start of the book. Valerie Frankel’s “stole my life for two days” seemed promising, in particular.

NEMESIS (n)

1) An opponent or rival whom a person cannot best or overcome
2) A person’s undoing
3) Joshua Templeman

Lucy Hutton has always been certain that the nice girl can get the corner office. She prides herself on being loved by everyone at work – except for imposing, impeccably attired Joshua Templeman.

Trapped in a shared office, they’ve become entrenched in an addictive, never-ending game of one-upmanship. There’s the Staring Game, The Mirror Game, The HR Game. Lucy can’t let Joshua beat her at anything – especially when a huge promotion is on offer.

If Lucy wins, she’ll be Joshua’s boss. If she loses, she’ll resign. So why is she questioning herself? Maybe she doesn’t hate him. And just maybe, he doesn’t hate her either. Or maybe this is just another game . . .

I sank into a more comfortable reading position as soon as this book got a good laugh out of me with the line:

“He doesn’t acknowledge me for a full minute. His keystrokes intensify. Beethoven on a piano has nothing on him right now.”

This seemed promising within a heartbeat at that.
Honestly, Lucy and Joshua’s whole office teasing/hating vibe had me in fits when I made the comparison in my head with Jim and Dwight from The Office.

The Hating Game could’ve used the office angst between Lucy & Joshua to pull together some grandiose pranks, and yet… we get some mentions of HR reported pranks, but zero details of what they contained. To be honest, I never quite determined who’s who: Our Dwight fluctuates between Joshua Templeman, Assistant (To The) co-CEO, and Lucy Hutton, Executive Assistant (To The) co-CEO.

They’re so aware of one another and I’m here wondering how can you hate someone you’re so obsessed with? They’ve memorized the other’s shirt colors, moods, patterns of behavior; They’re on each other’s case every single moment. Their world orbits around the other.

Case in point:

  • The main reason why they seem to hate each other’s guts comes across pretty clear upon the flashback to their first time meeting. Lucy feels like she has to hate him because the other option is too daunting, especially if she feels it’s unrequited. Neither of them would’ve remained neutral about the other.

“Please, I beg myself. Please hate Josh again. This is too hard.”

  • Again, if a book can get me laughing, I’m all in:
When I finally work out how to decode the pencil marks, I slap my forehead. I can’t believe I’ve been so slow.
“Thanks. I’ve been dying to do that all afternoon,” Joshua says without taking his eyes from his monitor.”
This is such a subtle but humorous moment.
  • If I thought the elevator scene was hot (which it surely was; Grey’s Anatomy is quaking), I had a big storm waiting with chapter sixteen; I’m still fanning myself. And to think they started, thanks to the enticing storytelling skills of her “esoteric” dream. I had to keep all windows wide open for that necessary breeze for the rollercoaster of a ride that is chapter sixteen.
  • Lucy investigating every nook and cranny (why does this sound like innuendo?) in Joshua’s apartment in the same chapter was oddly reminiscent of an episode in season three of The Office (“Cocktails”) where the characters attend a cocktail party at a glamorous house, and Dwight’s running around, similar to Lucy, to inspect everything:

This is literally Lucy with Joshua’s heavenly couch:

“Where’d you get this couch? I want to get the same one.”
“It’s the only one on earth.” His dry voice floats out from the kitchen.
“Can I buy it from you?”
“No.”
“What about this ribbon cushion?”
“One of a kind.”

  • Speaking of the show, I have to say that before starting this book I thought all the games mentioned on the back cover meant this would be like earlier into season three, where Jim Halpert fails miserably at playing Call of Duty with the Stamford branch. Like, what if Jim had fallen for Karen Filippelli while playing Call of Duty at work. But turns out that the Staring Game, the HR Game (which is the equivalent of Dwight yelling “MICHAEL”), or the Hating Game are just ways Lucy and Joshua interact.
  • I wasn’t really that invested in the characters outside of their relationship, though, meaning that I hadn’t bothered to think beyond their personal selves, which is why the few surprise curveballs thrown my way managed to shake me up. I just wish we wouldn’t dwell so much on family drama, especially something as big as attending a wedding half filled with Templemans, if we haven’t even interacted with the family members in question prior to it. Also: the trope of the girlfriend getting involved in family drama and solving it all in one scene is eye-roll worthy. If I pick up a romance book it’s pretty obvious I’m not here for all the family interactions.
  • With romances I either hate them or l feel neutral towards the story.  I tried my hand earlier this year with The Kiss Quotient by Helen Hoang and found myself tired out by the sex scenes and just craved going back to that blissful state of drawn-out kisses with intimate yet deliberate hand touches.
  • So I was beyond loving this book for not granting the big s e x scene right away and make the two work for it. Like, as much as the characters were frustrated to part away, it was so worth it in the long run. I usually lose my momentum within the story once that first big scene ends because the thrill of the chase lost and everything turns quite repetitive. So it was beyond gratifying to see The Hating Game laser focus on its spellbinding, pages-long kisses, which were deliciously slow in their attentive nature to tiny details.
  • Kitchen scenes where Joshua’s preparing food and Lucy feels so at home with him that she just leans into him at every opportunity GOT TO ME.

“Don’t line my replacement up too quick. You’ll hurt my feelings.”
The reminder of the likely outcome of this entire scenario makes me decide to lean against him. The middle of his back is the most perfectly ergonomic place to hide my face.”

All bubbling and soft feelings evoked.

When you spent so much of your time pining after someone, knowingly or unknowingly, the high of getting together is intoxicating. The number of times Lucy goes to say she addicted to Joshua made my mind play Britney Spears’ Toxic in the background.

All in all: the hype for The Hating Game was worth it for the majority, even if family feuds came to intervene at the very end. Honestly, it was worth it all for chapter sixteen.

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My Appreciation For the Name Noah in Old Men at Midnight by Chaim Potok

“If he tells you stories, will you tell them to me?”

Full disclosure: I love the name Noah.

I like saying it, I like hearing it, and I like seeing it written on the page. The first story in Old Men at Midnight was like a love letter for the name Noah for the amount it was featured from page to page. I picked this book up at the library, upon turning around to face the library shelf it was on and randomly reaching out because I was familiar with the author’s name and wanted to read his words for the longest time, only to flip to the first page and have the very first word jump out at me: Noah.

All following details were a bonus, like the fact that he’s a sixteen-year-old survivor all on his own, living with his aunt and uncle in Brooklyn, under the tutelage of eighteen-year-old, Davita.

Old Men at Midnight is a trilogy of related novellas about a woman whose life touches three very different men—stories that encompass some of the profoundest themes of the twentieth century.

Ilana Davita Dinn is the listener to whom three men relate their lives.

Old Men at Midnight varies stylistically from what I usually reach for in my books, featuring writing style with minimal dialogue. But I was willing to take the plunge for Noah Stremin.

“Noah is the only one who survived.”
“The only one in his family? I am sorry.”
“ The only Jew in the town.”
I felt cold to the bone.
“Four thousand Jews, and he is the only survivor. My husband and I, we say to ourselves God saved him for a reason.”

I felt instant compassion and connection to Noah. His story captures so much of the loss survivors never regain. “You have pictures. I have nothing.”

I realized about halfway through the story that though I was here for Noah, his character would only be present for “The Ark Builder,” and I had two more men to get through. And following someone betraying his people to serve in the KGB in “The War Doctor,” or reading vulgar descriptions of women in “The Trope Teacher” didn’t seem ideal. Like this:

“Close up, a woman small and dainty in stature, jeans tight, without the revealing curve of panties, he couldn’t help noticing; sandals and thin ankles and bare toes; he felt the beat and drum of his blood.”

I’m perplexed as to why he seems to think this adds anything valuable to the book… And unfortunately this isn’t the worst to come:

“She must have sensed his approach, for she straightened and turned. He noticed immediately the bony shoulders and small, firm breasts and the nipples beneath the blue jersey. She was not wearing a brassiere.”

This only made me think back to this post:

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I got what I wanted from my Noah story, and it’s best to leave it at that. I’m still on a mission to find as many books with characters named Noah (so far my list includes: TRC by Maggie Stiefvater, the Mara Dyer Series, I’ll Give You the Sun by Jandy Nelson, and Turtles All the Way Down). If by chance you have any additional recommendations please let me know in the comments below.

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