The Big Finale: My Long-Winded and (Book)Spoilery Review of Always and Forever, Lara Jean

“There’s something romantic about waiting for a letter in the mail, waiting for your destiny.”

I wanted to devour this book whole, so chores and life getting in the way was beyond distracting, as Cath said expertly in FangirlReal life was something happening in her peripheral vision. So I’m thankful for days like Shabbat, giving me the opportunity to have a day to read through a book and discuss it with my family.

The vibe between Lara Jean and Peter in Always and Forever, Lara Jean is miles away from the hostile and petty ways in the previous book. It’s rather similar to their easy-going nature in the Netflix adaption of TATBILB, which was basically all that I wanted with rereading this series. It makes sense, too, given that this was the most recent to come out before the film.

Having read through all three books in this series, I can see now how the Netflix film adaption features different scenes and takes from each book. Like Peter and Lara Jean’s list of their favorite movies to watch together, or Peter’s comical line of comparing himself to the handsome hero in a film to fish out a compliment from the Song girls. Plus, LJ and Peter talking openly about their families, including his dad’s absence, which is a first for them.

As I wrote in my review for P.S. I Still Love You, it’s the careful, everyday observations that make my heart sing, and this concluding book was full of them, thankfully.

  • Peter K. becoming the next Chris Pratt with mastering braids, courtesy of Kitty so he can take care of Lara Jean when they head off to college:

“Who will braid my hair when I’m at college?” I muse.
“I will,” Peter says, all confidence.
“You don’t know how,” I scoff.
“The kid will teach me. Won’t you, kid?”
“For a price,” Kitty says.
They negotiate back and forth before finally settling on Peter taking Kitty and her friends to the movies one Saturday afternoon.”

It was sweet to see him practice throughout the book, not just mentioned once for entertainment.

  • I was so glad to see so many heart-warming moments that make me want to break out into giddy laughter with the main couple.

“I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.”
My eyes fly open. “That’s all I get?”
Smugly he says, “You said earlier that I’m not that good at kissing, remember?”
“I was kidding!”
He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous.
I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.”

Peter turning back was C U T E.

Plus, Lara Jean does not disappoint in her follow-up response:

“I run back to his car, I pull him toward me by his shirt, and angle my face against his—and then I push him away and run backward, laughing, my hair whipping around my face.
“Covey!” he yells.
“That’s what you get!” I call back gleefully. “See you on the bus tomorrow!”

Ahhh! This scene is the peak of young and in love.

If there was ever a more fitting gif reaction…

I can tell now why Lara Jean ended up with Peter, instead of John Ambrose in P.S. I Still Love You: Peter lights up her life and the reading content to a more upbeat note, to paraphrase “her world is so much more with him in it.” So had she ended up with John, all we would’ve gotten from the book are scenes of the Belleview nursing home, reading, baking, and decorating Easter eggs, rinse and repeat (there’s only so many times this can remain steadfast interesting)… Honestly, 18-year-old Lara Jean leads such a Grandma-esque lifestyle (Chris can back me up; she even stole my line “Grandma Lara Jean”!) that those scenes of her timid nature are a snooze, until characters with a more lively personality, like Peter or Kitty or Chris, grace us with their presence.

  • I had an issue with Ms. Rothschild character, which I stay cleared off mentioning in previous posts because she wasn’t integrated into this family fully, but now that she is, I feel safe saying this just once: Why is it not mentioned that she’s Jewish? Rothschild is a well-known Jewish last name, so it’s odd that it’s not even mentioned or hinted at once in this series. The bare-minimum could’ve been provided in book two where, instead of mentioning the Christmas tree in her window, it could’ve gone to include the Menorah. All that echoed in my mind was this on-point line from Bad Jews by Joshua Harmon:

“…you haven’t lit a menorah since the nineties, but hello Facebook photos of you in a Santy Claus hat ho-ho-hoing it up next to the Christmas tree you put up in your apartment, and it was kind of obvious that, for whatever reason, you actually liked wearing that cheap fake crushed red velvet hat with the shitty white pom pom on the end, or maybe it wasn’t the hat, maybe it was just getting to stand under the mistletoe and smooch paper-cut-lips Melody, amazing, dynamic, smart-as-shit Melody, the icon of your ideal woman,…”

  • This leads to another point on why I see Peter and Lara Jean not lasting past the first year at Uni. Beyond what she promised herself not to do for two books (go to college with a boyfriend), Margot’s mentioning the Asian association and  “going to college and finding your racial identity” stirred within me the memory that Lara Jean’s deepest desire is to feel close to her late mother’s memory and the Korean side of her family, so it seems natural that she’ll want someone that can grant her something Peter Kavinsky can’t. (Also, the surprise gift her dad granted her to spend a month in Korea with her sisters and Grandma for the summer only solidified this train of thought, in my eyes.) It’s also something Levi in Fangirl mentioned about outgrowing high school relationships: “We came here. We realized that we weren’t the only two datable people on the planet.”

And I think Jenny Han confirmed my theory when Lara Jean ponders the same for a moment:

“…and who knows what will happen between now and then? By then we’ll be such different people. Thinking of Peter in his twenties, I feel a sense of yearning for the man I may never get to meet. Right now, today, he’s still a boy, and I know him better than anybody, but what if it isn’t always this way? Already our paths are diverging, a little more every day, the closer we get to August.”

  • Also, thank you clearheaded Margot for putting Lara Jean in the right headspace when it comes to her whimsical fantasies. Margot tells her sister exactly what I’d been screaming at LJ for too long, and it was beyond satisfying to read line by line my head-dialogue on the page. I felt heard.

“I just don’t want you to live a half life at William and Mary because the whole time you’re wishing you were with Peter at UVA.”

It’s in those moments of looking into colleges that I dislike her clinging on so desperately to this anchor in her life. And Peter doing the same. If it’s for her family I wouldn’t have questioned or doubted it once, but for Peter…

“There’s so much to be excited about, if you let yourself be.”

  • Speaking of, this boyfriend of hers still falls prey to being a typical high school boy with his antics (I’m begging him to, please, stop falling prey to the miscommunication trope), which was my main hindrance with his character in P.S. I Still Love You. But he surprised me for the better with his considerate promposal, going all out to grant Lara Jean her little recreation straight from her favorite movie, Sleepless in Seattle (and it doesn’t end here with the recreations of her favorite rom-coms: Sixteen Candles is next).

“I squeeze the bear, and again he says, “Will you go to prom with me, Lara Jean?” “Yes, I will, Howard.” Howard is, of course, the name of the bear from Sleepless in Seattle.
“Why are you saying yes to him and not to me?” Peter demands.
“Because he asked.” I raise my eyebrows at him and wait.
Rolling his eyes, Peter mumbles, “Lara Jean, will you go to prom with me? God, you really do ask for a lot.”
I hold the bear out to him. “I will, but first kiss Howard.”
“Covey. No. Hell, no.”
“Please!” I give him a pleading look. “It’s in the movie, Peter.”
And grumbling, he does it, in front of everybody, which is how I know he is utterly and completely mine.”

It’s sweet to see his pure innocence in willing to do anything to see her smile. “Is there anything more intoxicating than making a boy bend to your will?”

It’s the tiny nuances of their relationship that stuck with me. From revealing their college acceptance letters to late night drive troughs. Though, I do feel like their interactions were quite timid in this book with essentially no one-on-one scenes the more we dived into the storyline. He gets a bit lost behind in all the shenanigans set up in Always and Forever, Lara Jean.

I realized after reading for hours on end deep into the night, how deeply I missed the feeling of immersing myself fully into a book. There’s nothing quite as comforting and quintessential as reading a good book with no real life worries ahead to diverge your attention.

If anything, I’m glad this book doesn’t settle down for simply exploring everyday interactions, instead, we have something to propel the plot forward with exciting new components: Margot’s visit home (she keeps this family in-check) and getting the chance to look over her new boyfriend with the scanner of approval. John Ambrose’s surprise cameo, though, it’s odd we had to get rid of a certain bigger-than-life character to set this encounter up. Everything leading up to our small, local wedding. Lara Jean’s coping mechanisms with stress, including baking the perfect cookie (petition for LJ to start her own food blog!) and planning through every detail of the big day. Spur-of-the-moment road trips with Chris, who brings out the carefree, wild side in Lara Jean. The last day of high school and what that entails. But before all that, it all begins with college acceptance letters. The countdown is really on.

  • Speaking of… Lara Jean’s first worry upon not getting accepted into her dream school was her family, and I nearly shed a tear at that. LJ voices so many of the worries I have as a big sister, when she entertains the thought of studying far from home and what that entails in terms of leaving Kitty behind – from not being there to deliver the first period talk to missing birthdays, I was nearly crying by the end and yelling inside “THEN DON’T GO TO COLLEGE, LARA JEAN.”

“For the first time ever, all of the Song girls will be living truly apart. We three probably won’t ever live in the same house together again. ”

S T O P. This hurts.

And she nails it down with: “The thing is, you get used to it. Before you even realize it’s happening, you get used to things being different, and it will be that way for Kitty too.”

This is what scares me most: I don’t want either of us to get used to that reality. I want my sister to always have me available at a moment’s notice. This whole scene hit me too hard.

“At breakfast I keep stealing glances at her, memorizing every little thing. Her gangly legs, her knobby knees, the way she watches TV with a half smile on her face. She’ll only be as young as this for a little while longer. ”

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It’s interesting then to notice the clear parallel, in rereading To All the Boys I’ve Loved Before, between Lara Jean’s worrying over the dynamic change once Margot leaves for college, and her own journey of leaving home for the first time in Always and Forever, Lara Jean.

“Margot, when you first went to college, what did you miss most about home?”
“Well, you guys, obviously.”
“But what else? Like, what were the unexpected things you missed?”
“I missed giving Kitty a kiss good night after she’d had a bath and her hair was clean.”
I make a snorty sound. “A rare occasion!”

I’m so thankful for this moment of bonding. It’s always the tiniest of observations that creep up on you.

I’m glad I went into this fresh after having revisited P.S. I Still Love You because when I tried reading this finale on its own, back when it came out, everything here just read as fan wish-fulfillment because I’d completely forgotten all specific characteristics and events from the series. Time and distance makes the heart grow fonder, and I’m glad to have completed this last book after being immersed in their world through the movie and my reread of the previous books (though I must say how taken aback I was that it’s been over a year since Always and Forever, Lara Jean came out). There’s something so wistful about coming-of-age stories that won’t seem to grow old on me.

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In-depth (Book)Spoilery Review: P.S. I Still Love You by Jenny Han

This practically begged to be reread after watching the end credit scene of To All the Boys I’ve Loved Before (all my rambling thoughts and ravings for Noah and Lana the film are here). And after too many interviews featuring Noah Centineo with puppies, I had to succumb to rereading this follow-up book.

Back in 2015 when I had first gotten into reading extensively, this was the first sequel I remember desperately craving to have in my hands. This contemporary series arrived at the perfect time, as well, having just completed the Harry Potter series for the first time (!!), it was the perfect light-hearted read to mend my book hangover.

However, given that it’s been three years since I first read the book, my recollection was hazy on the particular events and happenings circling Lara Jean and Peter Kavinsky. So it was fun to rediscover that the particular plot points at the end of TATBILB film are what propels this book forward: the hot tub Instagram baddie scene, and the infamous Peter K. line:

Peter laughs easily; he cups my cheek in his hand. “Are you planning on breaking my heart, Covey?”

I do have to say, though, it is was nearly impossible not to compare and contrast movie Peter to book Peter, and having the latter come up short nearly every time. I perpetually felt like book Peter came across quite juvenile and unsure of himself, yet likes to project the vibe to everyone that he’s Cool, like a typical high school boy… I vividly remember the scene of their first date in the book where he accidentally hits LJ’s right boob and his response, “Whoops. Sorry. Are you okay?” felt like worlds away from his adapted movie persona. Movie Peter had this confident, reassuring, yet vulnerable side to him that makes it hard not to root for him. The foundation lies in scenes like this:

But Peter doesn’t kiss me, not the way I expect. He kisses me on my left cheek, and then my right; his breath is warm. And then nothing. My eyes fly open. Is this a literal kiss-off? Why isn’t he kissing me properly? “What are you doing?” I whisper.
“Building the anticipation.”

It also feels like Lara Jean is simply way in over her head with this new Peter situation (it’s not fake-dating, but it’s not real dating, and it’s casual but it’s not…). There are so many questions circling her head since this is her first real-deal relationship, but Peter seems lightyears away from noticing. In the book Fangirl, Levi, upon sensing Cath’s hesitations and slight panic about what “going up to his room” entails, makes sure she knows she’s in control for what’s on the table and what’s off it.

“There was never a threat of things going too far when we were fake. But I see now how fast things can change without you even realizing it. It can go from a kiss to hands under my shirt in two seconds, and it’s so feverish, so frenzied. It’s like we’re on a high-speed train that’s going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It’s like I don’t want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready?
I still find it very surprising, having a boy in my personal space.”

Flashes back at “my personal space” to Noora and William in Skam

Thankfully, the new contract between LJ and Peter was established soon enough, covering things that will make them settle in more comfortably with this new level-up. Yet it was disheartening to see that Lara Jean still felt like she couldn’t broach the topic of Gen and Peter. It’s difficult to build a relationship without fundamental trust in the other person, especially with their initial foundation of lies and fiction. Like, every good thing that happens is soured by the news or idea of Genevieve in LJ’s head: the first date goes great until Gen is in the same movie theatre, or their meal after that same date is easy breezy until Lara Jean doubts whether or not he’s texting his ex when she goes to the bathroom, and those same old thoughts creep in when they’re spooning for the first time. These things can be cleared up by voicing your doubts, seeing their reaction, and having a healthy and lengthy discussion. Again, the Genevieve situation illustrates the point well of showcasing the less mature side of Peter. Talk it out with your current girlfriend, explain what ground you stand on together.

My one gripe with this series is that building a relationship on the doom of the last one doesn’t seem wise karma-wise, which is why Peter K. thrived in book one when it’s only fake-dating, but this sequel seemed to dive into his less admirable moments (he’s practically the antagonist towards the end). So I jumped readily onto no-baggage John Ambrose in P.S. I Still Love You.

But I do have to say, putting all the above aside, that Lara Jean’s heart eyes for Peter at the very start was definitely infectious and made me reminisce on all the good memories that come along with having a crush (like the thrill of seeing them unexpectedly just when you’re thinking of them), instead of all the bad parts my brain expertly suppresses.

“Sometimes I like you so much I can’t stand it. It fills up inside me, all the way to the brim, and I feel like I could overflow. I like you so much I don’t know what to do with it. My heart beats so fast when I know I’m going to see you again. And then, when you look at me the way you do, I feel like the luckiest girl in the world.”

Now with that little rant aside, here are some of my must-talk-about-right-now points in P.S. I Still Love You, in case the sequel film is confirmed and I can come back to this extensive review:

  • First and foremost, I have to give it all to the Song girls. They make this book shine for me, especially with Margot at the head. She keeps this family glued together, which is why I’m perpetually flabbergasted at her University choice all the way in Scotland, having to subsequently leave LJ in the heat of things. She’s such a good sister, and I don’t know how she can bear to be so far away from her family. On a lighter note: Book Kitty is SO MUCH FUNNIER than Movie Kitty. Sister swear.

“Margot’s peering at it, head tilted. “No, it really doesn’t. It just looks like . . .”
“Like a hot makeout,” Chris supplies.
“Right,” Margot agrees. “Just a hot makeout.”
“You guys swear?”
In unison they say, “We swear.”
“Kitty?” I ask.
She bites her lip. “It looks like sex to me, but I’m the only one here besides you who’s never had sex, so what do I know?” Margot lets out a gasp. “Sorry, I read your diary.” Margot swats at her, and Kitty crawls away fast like a crab.”

Kitty’s “Sorry, I read your diary” made me laugh out loud. Also: her dedication to her shows and watching them uninterrupted is something else entirely. Having those scenes where Lara Jean’s sisters have her back – no questions asked – got me so good.

Kitty celebrating ten years made me quite wistful, as well.

“Kitty’s cares are still manageable; they can fit in the palm of my hand. I like that she still depends on me for things. Her cares and her needs make me forget my own. I like that I am needed, that I am beholden to somebody. This breakup with Peter, it’s not as big as Katherine Song Covey turning ten. She has sprung up like a weed, without a mother, just two sisters and a dad. That is no small feat. That’s something extraordinary.
But ten, wow. Ten isn’t a little girl anymore. It’s right in between. The thought of her getting older, outgrowing her toys, her art set . . . it makes me feel a bit melancholy. Growing up really is bittersweet.”

I feel this deeply.

  • There’s a new level of shared intimacy Lara Jean and Peter dive into, and they’re pretty cute at the start:

“Peter! You can’t be here!” I am equal parts panicky and excited. I don’t know if a boy has ever been in my room before, not since Josh, and that was ages ago.
He’s already taking off his shoes. “Just let me stay for a few minutes.”
I cross my arms because I’m not wearing a bra and say, “If it’s only a few minutes, why are you taking off your shoes?”
He dodges this question. Plopping down on my bed, he says, “Hey, why aren’t you wearing your Amish bikini? It’s so hot.” I move to slap him upside the head, and he grabs my waist and hugs me to him. He buries his head in my stomach like a little boy. His voice muffled, he says, “I’m sorry all this is happening because of me.”

It’s moments like this that make me question why his character went so downhill in this sequel.

  • Full disclosure, when I first read P.S. I Still Love You, I was team John all the way. It’s his letters that finally released the giggles out of me within reading this book. He’s such a sweet, kind boy.

P.S. I Still Love You- bookspoils

UNPARALLELED.

Also, the peak of romance hits for me is in this moment:

“There was this one time I looked out the window and saw that John McClaren was up in the tree house alone. He was just sitting by himself, reading. So I went out there with a couple of Cokes and a book and we read up there all afternoon. Later in the day Peter and Trevor Pike showed up, and we put the books away and played cards. At the time I was deep in the throes of liking Peter, so it wasn’t romantic in the slightest, of that I’m sure. But I do remember feeling that our quiet afternoon had been disrupted, that I’d rather have just kept reading in companionable silence.”

John Ambrose sounds exactly like what Lara Jeans needs. They’re the epitome of missed opportunity.

I also just love typing out their names because of this scene:

“Instead he asks a question. “Why do you always call me by my full name?”
“I don’t know. I guess that’s how I think of you in my head.”
“Oh, so you’re saying you think about me a lot?”
I laugh. “No, I’m saying that when I think about you, which isn’t very often, that’s how I think of you. On the first day of school, I always have to explain to teachers that Lara Jean is my first name and not just Lara. And then, do you remember how Mr. Chudney started calling you John Ambrose because of that? ‘Mr. John Ambrose.”

  • There are so many scenes in here that have remained so vivid and big in my head, like, LJ and John Ambrose running to escape the rain that I recall like it’s my own. Books are a part of me like my own memories. Upon revisiting those scenes now, however, I wasn’t as emotionally engaged as the first time. All that has stuck with me through the years from P.S. I Still Love You, read quite anticlimactically this time around, even that epic dance scene at Belleview (for a second there, I fooled myself to think there’s another dance scene after because of how disengaged I was in the moment), or them throwing snowballs at each other in the middle of the night.

“When he sees me, he holds his arms out and sings, “Do you want to build a snowman?” and I burst out laughing so hard John says, “Shh, you’re going to wake up the residents!” which only makes me laugh harder. “It’s only ten thirty!”

This Frozen reference definitely made me laugh in 2015, aka the peak of this song.

  • I think it all comes down to the fact that so much in this book, so many of the big events, were just handed to us. There’s no “building up the anticipation” for the reader. John Ambrose and Lara Jean just suddenly meet in real life like it’s nothing. The old crew from the treehouse are all suddenly in the same scene even though they’ve never interacted prior to this (like Trevor who are you??). Everything was just so quick and rushed to get to the finale.
  • I do have to say that I looooove the game of tag they initiated (like I mentioned in my review for Morgan Matson’s latest, Save the Date), where the winner receives a wish of their heart’s choice (John Ambrose’s wish made my heart melt). It was a hell of a road seeing everyone think up schemes to tag their person out:

“Genevieve looks very pleased with herself. “One wish, and you have to grant it.” She looks like an evil queen.
Chris’s eyes gleam as she says, “Anything?”
“Within reason,” I quickly say. This isn’t at all what I had in mind, but at least people are willing to play.
“Reason is subjective,” John points out.
“Basically, Gen can’t force Peter to have sex with her one last time,” Chris says. “That’s what everyone’s thinking, right?”
I stiffen. That wasn’t what I was thinking, like at all. But now I am.
Trevor busts up laughing and Peter shoves him. Genevieve shakes her head. “You’re disgusting, Chrissy.”
“I only said what everyone was thinking!”

I love Chris for being there to always supply out loud what’s going through our own head.

  • Circling back, I just have to say it: I feel so sorry for my Johnny boy because he got played hard. He exists in this novel pretty much just for Lara Jean’s sake and to make Peter jealous, and it’s so PETTY. I pretty much lost all respect for the relationship between LJ and Peter with this simple exchange:

“After class is over, Peter lingers at his desk, and then he turns around and says, “Hey.”
My heart leaps. “Hey.” I have this sudden, wild thought that if he wants me back, I’ll say yes. Forget my pride, forget Genevieve, forget it all.
“So I want my necklace back,” he says. “Obviously.”
My fingers fly to the heart locket hanging from around my neck. I wanted to take it off this morning, but I couldn’t bear to.”

His “obviously” was the last nail in the coffin. He’s asking back for the necklace he gifted her like it’s a given fact… five-year-old me has personal beef with people like that, so I couldn’t stand him in the moment. Not to mention his plagiarising a poem by Edgar Allan Poe… Come on, Peter. I get that he was trying to impress Lara Jean, but it’s stunts like these that remind me of how juvenile he is.

On a similar note, I disliked the author’s part in manipulating us to feel a certain way toward Peter or John Ambrose, when the plot turns so that everyone is suddenly jumping at Lara Jean to get with John, and it’s beyond jarring.

At a certain point, Peter gets painted as this evil antagonist (like, even Kitty sided against him), whereas everything John portrays is a moral act. I mean, we’re capable to realize on our own without the boldly drawn line of good and evil. This is acutely shown in the Belleview scene where Peter shows up with Gen:

“What are you doing here?” he asks me. “And what’s with all the makeup?” He gestures at my eyes, my lips.
My cheeks burn. I ignore the comment about my makeup and just say, “I work here, remember? I know why you’re here, Genevieve. Peter, thanks a lot for helping her take me out. You’re a real stand-up guy.”
“Covey, I didn’t come here to help her tag you out. I didn’t even know you’d be here. I told you, I don’t give a shit about this game!” He turns to Genevieve. Accusingly he says, “You said you needed to pick something up from your grandma’s friend.”

UGH. So frustrating.

“Blithely John says, “My great-grandmother lives here. Stormy. You may have heard of her. She’s a friend of Lara Jean’s.”
I’m sure he wouldn’t remember,” I say.
Peter frowns at me, and I know he doesn’t. It’s just like him not to. “What’s with the outfits?” he says, his voice gruff.
“USO party,” John says. “Very exclusive. VIPs only—sorry, guys.” Then he tips his hat at him, which I can tell makes Peter mad, which in turn makes me glad.
“What the hell is a USO party?” Peter asks me.”

All this to say that maybe Peter K. brought her out of her comfort zone, but he still doesn’t completely understand Lara Jean the way John does.

And if all this wasn’t confusing enough, everything gets turned on its head when Peter explains his side of the story, which I’m not convinced by one bit. It’s not OK to lie and hide things and then excuse it by saying “Gen needed a friend.” Genevieve needs counseling, not Peter K. to hug her firmly. It’s not even about him being there for his ex-girlfriend, it’s the fact that he misled Lara Jean to believe one thing when he’s doing another; be transparent, Peter. She deserves someone to treat her right.

“I know she can be manipulative—I’ve always known that. In some ways it was easier for me to default back to what I knew. I think maybe I was scared.”

But when it comes to last lines, this book makes it work fantastically, especially the quote at the end after the reveal that Lara Jean and Peter K. decide to dive all in with no preset rules:

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you.”
“Does it hurt?” asked the Rabbit.
“Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real you don’t mind being hurt.”
—Margery Williams”

I am also confusion as to why book three is going against what she’s told herself two books not to do: “Exactly. I don’t want to be the girl crying in her dorm room over a boy.” I stop suddenly. “That’s something Mommy said to Margot. She said don’t be the girl who goes to college with a boyfriend and then misses out on everything.”

All in all: Though I found some hindrances in my reading of P.S. I Still Love You, it’s still so fun to tear through a book in one sitting and not have to mull over it too much.

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Rambling Thoughts after Watching To All the Boys I’ve Loved Before

*rubs palms together * Where shall I start…

This adaptation of Jenny Han’s novel To All the Boys I’ve Loved Before has been a long time in the making for 14-year-old me who was obsessed with the series. And I already have to note that the film was such a satisfying remake for me to experience on the big screen; I was grinning from ear to ear for the entirety of it. (My 14-year-old self would’ve definitely created a fan account for the film. That’s how good it was.)

When Lara Jean Song Covey’s love letters for every boy she’s ever loved are sent out, her life is soon thrown into chaos when her foregoing loves confront her one by one.
There’s so much I want to cover in my review, so I’ll settle for making a list à la Lara Jean:

(Spoilers from here.)

  • The icebreaker delivered in the opening scene of this movie settled my worries regarding the cliche rate it was going to settle for; there are zero to none.
  • Lana Condor, who stars as Lara Jean, channels in her character perfectly with the awkward fumbling, sweet and quiet nature. There’s one scene, in particular, where I could practically hear her thinking aloud simply by looking at her facial expressions that are so entirely Lara Jean. From stolen glances to her perfect comedic timing with delivering one-liners, she feels what Lara Jean feels.
  • The attention paid to details in this movie is beyond wholesome. From the aesthetic shots to the set design (there’s a red painting in LJ’s room to the far left that I was ogling the whole movie), and even the background matching Lara Jean’s outfits. It’s the tiny details that had me marveling me at how well they captured the tone of To All the Boys I’ve Loved Before.
  • There hasn’t been a movie in a while that has enraptured me as strongly as this one. I zoomed through it, though, I had two excruciating (but necessary) breaks where I was practically on edge to return and complete my watching experience. This quote from my favorite book says it best: ‘Real life was something happening in her peripheral vision.’ As I watched, I was reminded of all the films that evoked similar strong emotions out of me: Freaky Friday (2003), 10 Things I Hate About You (1999), and The Last Song (2010). To All the Boys I’ve Loved Before has been added to my list of favorites, for sure.
  • This might also be a fitting time to share my favorite quote from Jenny Han’s novel that I was hoping to be featured in the adaptation:

You’d rather make up a fantasy version of somebody in your head than be with a real person.

The quote specifically wasn’t featured in the film, but the concept behind it sure was. LJ living this double life, where she walks around in a half-dream haze waiting to return to her ‘real life’ fantasy, is explored throughout her coming-of-age journey.

  • Which is where Peter Kavinsky comes in to save the day. His easy nature and confident ways always had me smiling like a fool in the first book. And it did the same old trick in this film, as well. Like I mentioned back in March when comparing him to Chris for my original Skam Book Tag: The Boy Squad.
    Though, now that I know of John Ambrose showing up, who stole my heart back in 2015 with P.S. I Still Love You, the jury is still out on my commitment to Covinsky. I willing to wait for more to be revealed in the sequel (she said, hoping the film received green light on continuing).
  • Back to the movie, though, I have to share some specifics that had me cackling, giggling, and squealing and everything in between:

#1 The horror music playing when the love letters were first revealed to be in the hand of the recipient. There’s no scary movie that will get your heart beating like that.

Those close-ups get me every time. It’s like there’s an ax in their hand for how dramatic the music made it.

#2 Jenny Han’s cameo, smiling so proudly at her own creations coming to life.

#3 Beautiful, cinematic movie shots. echo Shot Shot Shots vine

#4  The realness that is talking to yourself in your crush’s voice.

#5 Lara Jean’s shoes shown throughout the movie are show-stopping. They’re also the first thing Peter noticed about her, hence my choice of using the song ♪Fancy Shoes♪ by The Walters in my edit at the start of the review.

  • This movie also brilliantly covers specifics I didn’t even think about to make everyday interactions even more realistic. Like the scene where Peter and Lara Jean photograph each other to set as their phone background. This is like some modern HSM with Troy and Gabriella at the New Years party.

To All the Boys I’ve Loved Before excels at actually delving into Peter and Lara Jean’s interactions, wherein they actually get to know each other and listen intently to the stories they share. It’s quietly intimate moments like these that get me. Like Peter spending time with LJ and her little sister by staying in and watching movies:

I do have to say, though, that I’m low-key sad the movie didn’t feature the precious Halloween scene with Peter and Kitty bonding because my heart still gets weak whenever I think back to it.

Also: the couple completing domestic tasks together (like putting away the dishes) is my jam.Screen Shot 2018-02-28 at 09.46.55

In short: I positively adored To All the Boys I’ve Loved Before. It’s a faithful adaption to Jenny Han’s novel, and I wouldn’t change a thing. Except maybe having the sequel confirmed…

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