I read it for the art… and to satisfy my curiosity from a couple of years back regarding this book.
Zoe isn’t exactly the intellectual type, which is why she doesn’t recognize world-famous author Thomas Rocher when she stumbles into his apartment…and into his life. It’s also why she doesn’t know that Rocher is supposed to be dead. Turns out, Rocher faked his death years ago to escape his critics, and has been making a killing releasing his new work as “lost manuscripts,” in cahoots with his editor/ex-wife Agathe. Neither of them would have invited a crass party girl like Zoe into their literary conspiracy of two, but now that she’s there anyway. . . . Zoe doesn’t know Balzac from Batman, but she’s going to have to wise up fast… because she’s sitting on the literary scandal of the century!
Exquisite Corpse is the epitome of a graphic novel set to feature gorgeous artwork with essentially no depth to the storyline. We have flat, unmotivated characters whose actions are never explored; it’s somehow a given that it’ll make sense for a complete stranger to let a girl into his apartment to pee simply because she rang his intercom…
Manic Pixie Dream Girl to the max. No person, especially a stranger, talks like that.
Exquisite Corpse perfectly embodies those clichéd French novels all about Oh, Love French sigh that I’ve been warned about. It checks pretty much every mark from the mistreating old boyfriend to the oh-so-romantic new love interest to the out-of-nowhere mature ex-wives to Lolita-esque relationships (literally have way too many examples of this I’ll share below). The warnings weren’t for naught. So it became quite humorous when the novel tried to take itself too seriously.
This right here illustrates their imbalanced relationship. They don’t view each other as equals, and the writer dude (such a bland character I don’t even recall his name) is beyond patronizing.
The adults are having a conversation while sending the little girl off to bed:
This 22-year-old needs a therapist, not someone twice her age preying on her.
Also: The clear contrast established between her old boyfriend and this writer dude was so forced, and it made all the “good” the writer represented (listening to her, complimenting her, etc.) seem like he was reading from a script or something he read in a magazine. IT’S NOT REAL. The artificial interactions bothered me all too much for a book that’s supposed to be contemporary.
The ridiculously blown-out aspects of this book made it so I could never fully sink into the storyline. At one point I thought we were on the brink of a breakthrough when the main character finally realized what a douche the writer was and ran from him, but their relationship shouldn’t have happened in the first place so there wasn’t a lot of room for positive feelings. But then even that tiny revelation ruined itself at the very end with another lolita-esque relationship. S T O P.
I really wished the main character would’ve gotten some time alone to realize and reflect on what direction she wants her life to head into, instead of turning from one bad relationship to the other. I just felt sorry for this girl who clearly craves belonging, so she’s willing to settle with anybody who can provide even a tiny slice of it. Don’t settle, please.
I’ll end my review on a more positive note by featuring some of my favorite pieces:
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