“I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day. ”
Just as I was thinking to myself how implausibly good it feels not having DNF’ed a book in a long while, The Shadow of the Wind comes into my life.
I went into this pretty open-minded expecting a book about loving books and reading, instead I receive a pretentious piece of confusing fiction, trying to appear smarter than it really is. Plus, having it use one of my most hated writing techniques of telling with little to no showing. Oh, and if that wasn’t enough we then have the dialogue whose sole job in this book is to convey information. There’s not even one point where the author tried to humanize the characters by making them appear more complex and dynamic, as one would expect. Or achieving that feeling of creating “characters who seemed as real to me as my surroundings.” Instead both the dialogue and the action grew extremely stilted the more I read on.
Take for example this next passage that had me saying enough is enough:
I cursed myself and ran after her. I stopped her halfway down the corridor, grabbing her by the arm. She threw me a burning look.
“I’m sorry. But you’re wrong: it’s not your fault, it’s mine. I’m the one who isn’t as good as your brother. And if I’ve insulted you, it’s because I’m jealous of that idiot boyfriend of yours and because I’m angry to think that someone like you would follow him to El Ferrol. It might as well be the Congo.”
“Daniel . . .”
“You’re wrong about me, because we can be friends if you let me try, now that you know how worthless I am. And you’re wrong about Barcelona, too, because you may think you’ve seen everything, but I can guarantee that’s not true. If you’ll allow me, I can prove it to you.”
I saw a smile light up and a slow, silent tear fall down her cheek.
“You’d better be right,” she said. “Because if you’re not, I’ll tell my brother, and he’ll pull your head off like a stopper.”
No one talks like that in real life… Also, this passage shows just how utterly lazy the author is with his writing by making two characters that were supposed enemies (literally) one page ago “bond” by appearing in the same location. It’s pretty obvious that instead of creating a new multifaceted character, Zafón opted to reuse a character we already know, who has a boyfriend, mind you, and have the main character be suddenly infatuated…
Also, this next passage illustrates my point perfectly of the dialogue being between detective and suspect.
“Are you a collector?”
“Something like that.”
“Do you have other books by Carax?”
“I’ve had them at some point. Julián Carax is my specialty, Daniel. I travel the world in search of his books.”
“And what do you do with them if you don’t read them?”
The stranger made a stifled, desperate sound. It took me a while to realize that he was laughing.
“The only thing that should be done with them, Daniel,” he answered.
He pulled a box of matches out of his pocket. He took one and struck it. The flame showed his face for the first time. My blood froze. He had no nose, lips, or eyelids. His face was nothing but a mask of black scarred skin, consumed by fire. It was the same dead skin that Clara had touched.
“Burn them,” he whispered, his voice and his eyes poisoned by hate.”
Please, don’t write dialogue just to convey information to the reader. I want to read and feel emotions from the characters, not like I’m reading a transcript from a court case.
It’s been too long since I’ve last been this heated over my lack of interest with a book. And I least of all expected it to be The Shadow of the Wind, which has such beautiful quotes here on Goodreads.
“As I walked in the dark through the tunnels and tunnels of books, I could not help being overcome by a sense of sadness. I couldn’t help thinking that if I, by pure chance, had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever. I felt myself surrounded by millions of abandoned pages, by worlds and souls without an owner sinking in an ocean of darkness, while the world that throbbed outside the library seemed to be losing its memory, day after day, unknowingly, feeling all the wiser the more it forgot.”
And that’s exactly what rendered me the most dissatisfied. The fact that most of the well-known quotes are taken from the first 100 pages of the book left me feeling exasperated, so much so that I couldn’t come up with one reason to continue reading. I didn’t care at all for the cardboard characters with zero storyline, so I had to put The Shadow of the Wind down after just 115 pages. And frankly, I have no regrets.
I will say, though, that this book had magnificent moments at the start when I put in the effort to listen to instrumental music (like this playlist). It heightens the reading experience by a landslide. The book goes from an effort to read to feeling like you’re watching a movie, which is why I was eager to look into whether this had any adaptions in the works… But unfortunately the author “will not sell the rights to any studio” because “he says that the story was written in order to be a book and we don’t want to lose the magic in a movie.” Figures…
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