My Favorite Book Quotes: The Books That Helped Shape Me Through their Words

In my recent reading year, I’ve taken notice of how different the books I reach for now are from just a couple of years ago, and it got me thinking about all those different books I used to pile up on my list of favorites and what I would think of them now if I approached them with fresh eyes, whether I would have the same visceral reaction I had that first time or none at all.

It also made me reflect on why I considered them my favorite books in the first place, was it the story or rather the sense of feeling known and seen on the page that made me cling to the book long after I had closed the last page?

Looking back, I can see a clear pattern forming over time wherein each book that presented itself at a certain time in my life came to explain a piece of me, and it creates this effect where all these favorite books of mine come together to form a bigger picture, which I can look back on to and understand more clearly the role they had in my growth.

And to think that this all came to my understanding simply by scrolling through my list of Goodreads quotes that I had pinned in my profile. Suddenly all these books that have slipped my mind over the months came back to show just how much joy and clarity they brought me. And I have this immense desire to capture this particular emotion through this post because as the years go on, I’ll hopefully have new books to share, so I’d love to revisit the emotions these brought out in me repeatedly.

I seek immense comfort through the written word, so the more accurate term for these would probably be “passages” instead of “quotes” because it’s often the story told through the words that I seek comfort in. This might also influence my decision to often seek out books that are entirely character-driven and grounded in reality; to explain all that I cannot put into concrete words. And it creates this interesting resolution where I know that when I’ll reexperience these emotions (may it be confusion, sadness, intense love) I can seek out their words and take comfort in its simplistic explanation, all whispers of things I’d loved.

“Great books help you understand, and they help you to feel understood.”
John Green

An example of what inspired this whole idea in the first place was rereading The Raven King this past week, which I haven’t done since my first whirlwind read on the day the book came out, and going through the last book in the series reminded me of just how closely I cherished these characters. I saw a piece of me within this group: Ronan has my roots to family, Blue has my all-encompassing relationships, Adam has my perceptive intensity and… All these components that evoked the memory of how good it feels to read a book that gets you, which brought me back to the Goodreads quotes for this series since I can’t commit to rereading the whole series; I just wanted the string of highlights.

And there are so many books that produce a similar effect in my heart, so I had to come up with a concise list to share. And these aren’t necessarily my favorite books to date, but rather it’s their words that made me click and understand a part of myself that I was seeking out at the time of reading and through their given words I felt known and seen by another human (“without the body odor and the eye contact,” sorry, the Cather Avery in me slipped out). So this may not be a list of all-time favorite books, because those constantly change as I grow and evolve, but rather a list of books that helped me come to terms with realizing so much that I needed to know.

These were certainly favorites at the time, and now, looking back they’re favorites for helping me understand that which only in hindsight I can understand I was asking for an answer that unveiled itself through the written word.

The Strange and Beautiful Sorrows of Ava Lavender by by Leslye Walton

The thing with rereading a book that blew you away the first time, it’s then quite the disappointment when all those scenes that stuck with you from your first read turn out to be not as grand as you remembered. Like a certain character detail that I blew up in my hand turned out to be less than one page in the book, and I was confounded as to how that was possible…

Since this book follows three generations, and when I read it I fell into the world of Emmeline, aka the first generation we go back to, I was aghast to find her discussed less than 100 pages because all the details of her life had stuck with me so closely. It’s been over three years and I still remember details of her marriage, her bakery and her dear friend at the bakery, her eccentric family members and their stories, the stories of the neighborhood. I can recall everything clear as day, maybe even better than my own memories, so it surprised me when I revisited the story to find that they were discussed in such a small amount of pages.

Since Emmeline’s journey encaptured me the most, it’s also her phrase that came to mirror my own thoughts:

She struggled to distinguish between signs she received from the universe and those she conjured up in her head.

This brings me back like nothing else to my confused state at the time of reading this book where I experienced this unmoored reality, teetering the ground between who I was and who I wanted to become so I was almost desperately seeking out all that would help explain it to me. I cherished this book, and the magical realism genre, for a long time following.

The Raven Cycle by Maggie Stiefvater:

Ava Lavender was the perfect build-up for this grandiose series that touches on all things magical from dark creatures to tarot readings to having that something more in your life, which is captured to the point in this passage:

“The predictions that came out of 300 Fox Way were unspecific, but undeniably true. Her mother had dreamt Blue’s broken wrist on the first day of school. Her aunt Jimi predicted Maura’s tax return to within ten dollars. Her older cousin Orla always began to hum her favorite song a few minutes before it came on the radio.”

This still strikes a comforting note within me.

I touched before, at the start of this post, on just how much I relished in the world of this raven group, and I’ll forevermore be grateful for the solace they granted me in feeling so included in their dynamic. And the curious thing is there’s more than one group to seek that something more in, Maura and Calla and Persephone were always something I looked forward to reading about on the page.

Fangirl by Rainbow Rowell:


If you’ve been around for a while on this blog (long enough to read my two reviews for Fangirl, 1&2), you know by now there isn’t one quote that can fully encompass how much this book means to me. I’ve read it countless times since my first time reading it because it’s the only physical book I have that I actually enjoy. I genuinely end up rereading it every Shabbat when the book I took home from the library inevitably disappoints me. I gravitate towards Rainbow Rowel’s Fangirl because it’s a familiar and comforting world to sink into. The characters feel so close to my heart, same for the writing; I can recall the words by heart now, so much so that when I read a certain scene, I’ll start laughing ahead of time because I recall what line awaits. Scenes with Reagan or Levi never disappoint.

The book recently re-released its new paperback edition with a glowing full-color illustration by Mara Miranda-Escota of one of my favorite Cath and Levi scenes (reading on the love seat!), plus it has minty stained edges. Be sure to snatch your copy here:

I’m Supposed to Protect You from All This: A Memoir: Nadja Spiegelman

My love for honest and compelling lifetime works began with uncovering this book: I’m Supposed to Protect You from All This. It opened my eyes not only to the genre of Memoir, which I then solely devoured for the following months but I realized through Nadja Spiegelman chronicles just how fierce and all-encompassing mother-daughter relationships can be.

The things my mother did not see about herself, I did not see, either.

This book holds a lot for itself, but I’ll always hold it dear for holding open that doorway for me to peek in. My subsequent phase of memoirs, where other people come to a concrete understanding through chronicling their lives, I was hoping to catch some of that for my own understanding. It’s very often that we can find our thought mirrored in others. And I found two others which created a similar effect:

Trevor Noah’s account resonated with me on a more deeper level than I was expecting for a comedic memoir, from the way his mind works with language to the fierce nature of his mother, Patricia Nombuyiselo Noah. I still think about them to this day. Though at the core it holds a troubling tale of coming-of-age during the twilight of apartheid in South Africa, Noah takes the joys and pangs of his life and makes sure to mix in some much-needed humor. This checks it all off:

“Nearly one million people lived in Soweto. Ninety-nine point nine percent of them were black—and then there was me. I was famous in my neighborhood just because of the color of my skin. I was so unique people would give directions using me as a landmark. “The house on Makhalima Street. At the corner you’ll see a light-skinned boy. Take a right there.”

The latter book by Diane Guerrero uncovered a deep, hidden part in me which I had stored away for years, yet through Diane Guerrero’s unflinchingly honest story of recounting her adolescence, it all came flooding back. Like, the memory of betrayal of experiencing her first period but not having the one person who’s supposed to know it all, it’s a story that still sticks with me to this very day. Also, her touching upon the fact that people touching her makes her uncomfortable made me connect with her instantly because I needed to hear that I wasn’t alone, though I was secretly hoping for her to reveal the source of it, though her mother had her inklings.

Basically, reading memoirs feels like coming out of a good therapy session. And funnily enough, there are excellent books by Irvin D. Yalom just on this concept of accompanying through the written word a therapy journey that most likely mirrors your own thoughts and fear: Love’s Executioner and Other Tales of Psychotherapy.

The title story of the collection remains a favorite of mine in particular since it touches upon the concept of obsessive love versus healthy love, which, boy, did I need to hear that at the time.

“Perhaps the function of the obsession was simply to provide intimacy: it bonded her to another—but not to a real person, to a fantasy.”

At the time of this revelation, not a lot of memoirs were out in the bookish world so I ventured over into family stories which granted me much of the same, plus delicious drama.

Little Fires Everywhere by Celeste Ng

The intricately thought out sequences that move this book still hinder me speechless. At the core of Little Fires Everywhere lies a tale of motherhood and love. I was especially in awe of the way Celeste Ng can characterize such specific components within each figure that we meet; everyone stood out as their own person through this intense character-study. And ever since I read this particular passage below that transcends words; I can never look the same at the subtlety in the growing relationship between a mother and her child without hearing this echoed in my mind.

“It had been a long time since her daughter had let her be so close. Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there were something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.”

The audience needs more books from the author. Screen Shot 2018-02-28 at 09.46.55

I would love to know in the comments below if you have any similar bookish quotes that have helped you in any way that you would like to share.

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Girlhood and Coming-of-Age Review: The Girls from Corona del Mar by Rufi Thorpe

I was on the search for a lightweight book to bring with me for a day full of travel, when the simple beauty of this cover, filled in tan, freckled skin, enthralled this fellow tan, freckled gal to pick it from the tucked away library shelf (the second time around). Funnily enough, I made a trek back to the library later that same day to grab the book because it wouldn’t escape my mind from that morning sighting when I had failed to pick it up.

Rainbow Rowell recommended Rufi Thorpe’s Dear Fang, With Love years ago, which meant for me that this author would nail down life specificities the way I enjoy in Rowell’s books. The Girls from Corona del Mar did not disappoint within the first page, reading about a loving family’s presence in Lorrie Ann’s life.The Girls from Corona del Mar bookspoils

And it took me a single sitting, reading swiftly through ten pages, to realize this was something to hold on to. I particularly enjoyed how the first couple of pages started with a tantalizing proclamation, “You’re going to have to break one of my toes,” then veered off to familiarize these characters, and ended the paragraph the same way it started so that we’re included in their motives; a full circle.

Set in the mid-90s, The Girls from Corona del Mar follows two best friends, Mia and Lorrie Ann, through spot-on observations on life, growing together and apart, and always having that nature pull to return to each other. This read like an extremely attentive and introspective novel, full of vivid stories on Mia’s lifelong friendship with Lorrie Ann. My mind was bursting with all that I wanted to note down with each page I read. You know it’s a good book when you close your eyes at the end of the day and continue completing the story in your head.

Normally, friendships between girls are stowed away in boxes of postcards and ticket stubs, but whatever was between me and Lorrie Ann was not so easy to set aside.

I was surprised to find a unique storytelling mode where, instead of having two narrators who each tell their own tale, we follow Mia’s perspective of Lorrie Ann’s toils through the details Lor gives her best friend. You can peek this in the passage below:

“I love you,” Lorrie Ann lied. (Was it a lie? I never knew, exactly. I couldn’t understand her love for Jim and so I made my peace with Lor’s decisions by assuming her feelings for him were either feigned or a delusion, but perhaps they were not. Perhaps she loved him with the same animal part of herself that couldn’t let that baby go.)

I really liked how the author gained control with this little insert because Mia went a little off-task into Lor’s (the name Lorrie Ann is a pain to type) world, and the usage of first-person brought it back to the narrator.

I’ll be honest by saying right off the bat I was as wrapped around Lorrie Ann’s finger as much as Mia. Something about the utter kindness and goodness of her always shone so brightly on the page. It’s best told in this incident that captures Lor’s character through the author’s storytelling:

Once, when we were about ten, Lorrie Ann had been given too much change at the Chevron snack shop: she had paid with a ten, but the man must have thought she gave him a twenty. Lorrie Ann didn’t even notice until we were five blocks away, and then insisted we walk all the way back so that she could give him that unearned ten-dollar bill, which as I recall was soft and wrinkled like wilted lettuce. I am sure Lorrie Ann would never remember that day, such an insignificant anecdote, but in my mind it became a central organizing allegory about the differences between us.
Everything I had in life was half stolen, a secret, wilt-y ten-dollar bill that Lorrie Ann would have been too good to keep, but which I could not force myself to give away.

What makes so much of these eyeful remarks is how grounded in reality they are.

I was initially won over by Lorrie Ann with this truthful statement when faced clearly, at only eighteen, with an impossible choice: “But don’t you learn to love someone?” Lorrie Ann asked.

This right here is what too many novels fail to realize when they proclaim that love is all or nothing. Love isn’t some overbearing emotion that takes control of your sane thought process, love is something that you need to discover how to do with morality. “You don’t fall in love. You grow in love.” Love is recognizing the grandiosity of the person standing before you; love is including that person within your own being.

Her thought process of said impossible choice is demonstrated touchingly. She had this terrible death happen within her family, which she concludes as her fault for not being good enough or observant enough of the signs in her life, so she doesn’t want to set off something now that’ll make bad things appear back in her life. She chooses what she deems the right thing. What follows changes the trajectory of her life and Mia’s along with her.

And yet it was not me but Lorrie Ann whom the vultures of bad luck kept on visiting, darkening the yard of her house, tapping on the panes of her windows with their musty, blood-crusted beaks.“Wake up, little girl!” they cried.“We’ve got something else for you!

I felt suspended the entire time I read through this reflective and tumultuous story. So much of this novel is built on the many tragedies that befall Lor despite her best. And I kept wallowing over just how many they are… I mean, I came to relish whenever Lor walked back into Mia’s life, though knowing it’s only when something unfortunate happens makes it a bittersweet pill to swallow.

At a certain point, when the only times these two communicate is when something bad occurs to Lorrie Ann, it became an exhausting process of “Oh, what now?” It read like a condensed version of A Little Life, which I liked for the subtle quips on life but disliked immensely for throwing tragedy after tragedy my way. It takes away from the realness of life when we only meet these two characters when tragedy strikes. I wanted to spend more time in the in-between moments that make up a lifetime. When everything’s shit, however, it makes you appreciate little gestures of kindness, simple as a sweet nurse over the phone reassuring Lorrie Ann.

On a random note, I enjoyed how the title chapters are indicant of what’s ahead. It’s a little touch that shows how much a book means to an author.

And I’m still so in awe at how this book kept me enthralled page by page with its eyeful observations. This is an author that lets no moment slip by; you have to be really sensitive of your reality to succeed in writing down what you see in real life. And I, for one, am a complete sucker when it comes to introspective novels that reveal a deeper layer that lies within us.

The Girls from Corona del Mar nails down the complexity of maintaining a long-distance friendship. I admired, in particular, what was said about feeling like a character in a book, like, you don’t exist unless I pick you up.

“That came out awful, but what I mean is that when you are a half a world away, it seems more like something happening in a novel, you know, and we’ve lived apart for so many years now that you are kind of like that for me, except when I see you, then you are suddenly terribly real, and that made Jim’s death real and now I feel like I can’t catch my breath because everything is too real for words.”
Lorrie Ann looked at me critically for a moment, as though I were a gem she were assessing through one of those tiny eyepieces. Then she said, “I know exactly what you mean. For most of the year you are just a character in a book I’m reading. And then when you do show up, I think:  Oh, God, it’s her! It’s her. The girl I knew when I was a kid. My friend.”

This is such a sweet moment too real for words… And then this moment on how talking over the phone never fully captures the true experience in a single phrase: “I’m not sure,” Lorrie Ann said, and I wished I could read her face.”

They hold this interesting dynamic wherein Mia feels forever endowed by Lorrie Anne’s virtue. Her “opposite twin.”

I did not pursue my relationship with either for personal reasons, but because I sincerely believed they were the two best specimens of humanity I had yet to run across on the planet.

But when this book turns bad, it goes down all the way. It hit a point of no return after the 150-page mark, and I was left dumbfounded. I felt truly betrayed by the inorganic change in character happening halfway through. I had spent so much time with this book, singing its praises, only to have this abrupt tomfoolery wherein the most moral character had everything immoral thrown her way. I’m still in a state of shock. It came to the point where I had to point the book cover face down on my nightstand, till its fast return to the library the following day, because  I couldn’t bear to look at it without some semblance of anger flaring up inside me. It felt like two completely different stories were being told: One of genuine storytelling, using many sharp observations about family life, and telling a truthful tale of girlhood. And the other is focused on tearing down what we build up for the past 100 pages. Like, when Mia starts being the moral compass for Lorrie Ann that’s when you know something fishy is going down in the storytelling.

 

 

This unnatural change of pace made me feel beyond exasperated. It’s all that I had been warned about on immorality was shown with a turn of a page. W H Y ??? I’ll just say one thing: Those questioning the system of justice while claiming that ridding a child of its life because of a disability are exactly those that the system exists for. I mean:

“Zach’s suffering is not more than a child’s in the Congo just because we are genetically related.”

How is one supposed to react calmly to reading such utter BS? She’s talking so coldly about her own son, and I’m wondering how this is the same person from the start of this book. I cannot stand when good characters are destroyed this way. This felt like an amateurish and insensitive dissection on a character’s life.

I just don’t have the patience anymore to deal with such crude remarks being made for n, such as comparing genocides and reducing both in the process of doing so.

Cue my search for a new favorite book to calm my storming rage.

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The Hype is Right: Where’d You Go, Bernadette by Maria Semple (Book Spoilery Review)

Of the million reasons I don’t want to go to Antarctica, the main one is that it will require me to leave the house.”

 

Flipping through five pages of praise to get to the actual storyline of Where’d You Go, Bernadette was a telling sign. Plus: the book is set in the month of November when it starts, which is the current month, and reading something that’s set in the same period of time is only a bonus that works in my favor, same as I mentioned back in my review for The Summer That Melted Everything by Tiffany McDaniel (set in June, read in June).

When they say this book is made up of emails and letters, they’re not kidding. The whole first half of this book uses anything and everything, except standard chapters, to tell the story of the Branch family (consisting of 15-year-old Bee and her parents Bernadette Fox and Elgie) and the people in their orbit. We have transcripts taken from FBI documents, emails, articles, handwritten notes, an extravagant and detailed emergency room bill, and all the gossip-filled correspondences from Galer Street. In short: It’s a hoot to read through.

The longer overview:

  • I’ve been in the mood for a book that resembles Celeste Ng’s Little Fires Everywhere ever since I completed it about a year ago, so the premise of Where’d You Go, Bernadette exploring the rich white neighborhood of Galer Street, but also introducing complex components that have us in this love-to-hate relationship with certain characters (*ahem* Aubrey) had me intrigued.
  • I have to grant it to Bernadette, though, for first catching my attention with this spiel on the overpowering energy it requires to simply be with people:

“The only way to get to Antarctica is by cruise ship. Even the smallest one has 150 passengers, which translates into me being trapped with 149 other people who will uniquely annoy the hell out of me with their rudeness, waste, idiotic questions, incessant yammering, creepy food requests, boring small talk, etc. Or worse, they might turn their curiosity toward me, and expect pleasantry in return. I’m getting a panic attack just thinking about it. A little social anxiety never hurt anyone, am I right?”

  • All the praise was raving about how hilarious this book was, so I kept an eye out for some uproarious laughter to consume me only to realize that Where’d You Go, Bernadette doesn’t feature that in-your-face outrageous humor but rather the everyday kind where you’re talking and just are on the same wavelength of humor when talking and sharing. It’s so nice to see it play out on the page.

“See, I never thought through the actual implication of you applying to boarding schools. I.e., that you’d be leaving us. But really, it’s fine with me if you run off. I’ll still see you every day.”
I glowered at her.
“Oh, didn’t I tell you?” she said. “I’m going to move to Wallingford and rent a house off campus. I already got a job working in the Choate dining hall.”
“Don’t even joke,” I said.”

This right here made a smile creep up on my face because it’s Bernadette’s only upper hand as a mother to a teen. It’s the good-humored kind of family jokes where you just know each other well enough to know what ticks them off and what doesn’t.

The kind of humor that makes you feel good, not at the cost of someone, unless, of course, we’re talking about… Dun Dun Duuuuun:

  • Audrey Griffin aka “call-the-manager” type of person:

Honesty, the skill it takes to somehow turn the events around so that everyone but her is at blame is astonishing. You do not want to be in her favor. Or ever owe her anything ever. A great example of this are her letters to the director of Gaylor Street School, Gwen Goodyear:

“Speaking of Warren, he’s looking into the legality of letting a student who’s a known drug abuser finish out the semester. Isn’t that a threat to the other students? I’m asking out of curiosity.
If you’re so hell-bent on placing blame, I suggest you look in the mirror.”

Bam. Her letters to fallible Gwen Goodyear were always a ruckus. She emits that passive-aggressiveness that’s more like aggressive-aggressiveness, and it’s something else to experience from the sidelines.

Also, her accomplice Soo-Lin who’s a known homewrecker (TIME-OUT REALITY CHECK: honestly, I’m perplexed as to what good she thought would come out of chasing after a married man????) (the married man in question is a cheat, as well, for trying to neatly pack up his wife, instead of questioning what’s going on and actually communicate his thoughts to her.) So I wasn’t mad at Audrey for handling Soo-Lin some dose of aggressive-aggressiveness;

“How’s this for irony? Remember when you were divorcing Barry, and Warren handled the whole thing for you gratis, saving you thirty thousand dollars? Remember when you literally sobbed in gratitude, promising you’d make it up to us? Here’s your chance! I’ll let myself in with the key under the cupid.
One question. What do you want for dinner? I’m going to have a feast waiting when you get home.
Blessings, you!”

As well as, Bernadette getting to take her own jab at Soo-Lin’s expense: “FOX: You’re a Seattle-born secretary and you have no place in this house!”

You do not get to wreck a home and expect to go by unscathed. You do not mess up someone’s marriage just because they’re unhappy in it. That is nowhere your place to intervene. I received some closure when Soo-Lin had her moment of realization, alas a tad too late.

Surprisingly, Audrey Griffin grew to have the most the most character development, but the writing didn’t demonstrate it thoroughly with the constant skimming over her life. I wanted to hear more on Audrey and her son, Kyle, getting better. Kyle is a jackass with his antics, but he’s on the road to redemption with his unrelating, force-of-nature mother by his side.

One of those antics relate to Bee:

“(We weren’t allowed to wait in the office ever since Kyle Griffin was sent there one day, and when nobody was looking he went through the Galer Street directory and started calling all the parents from the main office number. So when the parents looked at their cell phones, it said there was an incoming call from Galer Street. They’d answer, and Kyle screamed, “There’s been an accident!” and hung up. From then on, all the kids had to wait outside.)”

  • The praise for this book also mentioned how it’s full of emails and letters, so I assumed they were interspersed throughout the chapters, but nope, they mean what they say. Where’d You Go, Bernadette starts with the Branch family then veers off into different characters orbiting them by sneaking into their personal exchanges and interaction. It makes for a particularly entertaining epistolary format, similar perhaps to Illuminae in a contemporary setting. I love dialogue-driven stories so transcript and emails are my favorite things to speed through a book.
  • I was surprised to find that it was solely told in that medium until the investigation concerning Bernadette’s whereabouts reaches a dead-end, and we return to the usual chapter format. So the characters get to comment on the first half of the book, aka the bunch of concentrated files, and they get to say what we’d been thinking throughout.

“You were a real rock star, Dad, walking down the aisle of the Microsoft Connector.”
“I didn’t write that!”
“Your girlfriend did!”

  • However, I feel like so much of this book focused on the action of getting to Antarctica and reconnecting the clues on Bernadette’s whereabouts (when in reality it’s just a major case of miscommunication) that we kind of missed expanding on the character-driven aspect of this story. I mean, the main conflict of the book is in the title, Where’d You Go, Bernadette, but it’s about so much more than piecing together clues. It’s about family and owning up to your mistakes and coming of age and mother-daughter connections. The last one I had the most joy uncovering.

“I was going through an Abbey Road phase because I had just read a book about the last days of the Beatles, and I spent most of breakfast telling Mom about it.”

I wanted more moment like this that show how supportive and close Bee and Bernadette are… like with their mutual love for Cliff Mass, the weather boy *echo of wouldn’t you like to know weather-boy* who likes to uses fancy words and long-winded sentences to essentially say it’s just raining.

Oh my God, can someone please stop me before I write more about Cliff Mass?”

These revealing moments I found to be missing in the whirlwind to keep up with the plot. Details help me fall into a story and the characters, as it was written so wisely in Mitch Albom’s For One More Day: Details were something to grab on to, a way to insert myself into the story.

  • Going back to the start, Bernadette’s vulnerability when Bee was born struck a chord.

“Here’s what inconsolable looks like: me sitting in my car in the parking lot of Children’s Hospital, all the windows rolled up, wearing my hospital gown, twelve inches of pads between my legs and Elgie’s parka over my shoulders, Elgie standing outside in the dark, trying to make me out through fogged windows. I was all torture and adrenaline. I had no thoughts, no emotions. Inside me roiled something so terrible that God knew he had to keep my baby alive, or this torrent within me would be unleashed on the universe.”

She needed some sunshine after the big dark cloud that had been following her for years. And it came in the form of her daughter Bee.

“Was I really so bad that I deserved to have three years of my life destroyed for some rich prick’s practical joke? So I had some cars towed, yes. I made a gate out of trash doorknobs. I’m an artist. I won a MacArthur grant, for fuck’s sake. Don’t I get a break? I’ll be watching TV and see Nigel Mills-Murray’s name at the end. I’ll go nuts inside. He gets to keep creating, and I’m the one who’s still in pieces?”

I wanted to delve deeply into moments like these that came to shape the family.

  • Lastly, Elgie Branch does not deserve Bernadette in this universe or any alternate creation. Their relationship was another aspect that wasn’t expanded on, so I had nothing to hold on as to why these two even got together in the first place to start a family. So Elgie and his brash decision making can jump into infinity and beyond.

“You look for horses,” I said. “While you spent your whole life at work, me and Mom were having the best, funnest time ever. Mom and I lived for each other. She wouldn’t do anything close to getting drunk and walking next to a ship’s balcony because it would mean she might never see me again. That you think she would shows how little you know her. You look for horses, Dad.”

Bee knows Bernadette; you don’t.

Thank you for coming to my #4-most-watched TEDTalk of all time.

“From: Audrey Griffin
To: Soo-Lin Lee-Segal
I don’t give a fig about Ted. I don’t know who he is and I don’t care what he says during this talk you refuse to shut up about.”

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